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Watch for our reviews.
Michael Wolff’s bestselling FIRE AND FURY rode into bookstores Friday on a fiery wave of buzz, hype, and hysteria. The latter response coming directly from the White House, when an enraged POTUS threatened the book’s publisher with a lawsuit, and Henry Holt responded by moving up the pub date and printing more copies.
The impulse to gobble down a behind-the-scenes political book is often a guilty pleasure. Hell, it’s fun to feast on nasty revelations and dive deep into the “dirt.” FIRE AND FURY, however, offers more. Although many of the juiciest tidbits have already leaked out, the book is still well worth reading. It not only provides deft descriptions of its bizarre cast of characters, but offers memorable passages that rise high above the usual political hack-job. The sheer transcendent style of the writing makes this special. It reads like a novel by Terry Southern (think Flash and Filigree and The Magic Christian), with a strange menacing undertow below the surface.
Wolff dissects the dark heart of Trumpism with cunning, cadence, and wit, and lays bare the chaos and malice that storms inside the administration. Hundreds of interviews are skillfully woven into the narrative in a manner that dispels the fog with shocking clarity. The daily web of hard-to-follow machinations are shaped into a tale that — despite its absurdity — is graspable.
Since there were no physical copies of the book available in Sonoma County, I bit the bullet and downloaded the e-book. While reading the first fifty pages, I found myself frequently using the highlighter tool to preserve paragraphs for reading aloud later or sharing with friends.
Here are two examples; the first on Trump’s inaugural address:
Much of the sixteen-minute speech was part of Bannon’s daily joie de guerre patter—his take-back-the-country America-first, carnage-everywhere vision for the country. But it actually became darker and more forceful when filtered through Trump’s disappointment and delivered with his golf face. The administration purposely began on a tone of menace—a Bannon-driven message to the other side that the country was about to undergo profound change. Trump’s wounded feelings—his sense of being shunned and unloved on the very day he became president—helped send that message. When he came off the podium after delivering his address, he kept repeating, “Nobody will forget this speech.”
George W. Bush, on the dais, supplied what seemed likely to become the historic footnote to the Trump address: “That’s some weird shit.”
Here’s Wolff’s description of the dual-realties theory of Trump politics:
This had led increasingly to the two-different-realities theory of Trump politics. In the one reality, which encompassed most of Trump’s supporters, his nature was understood and appreciated. He was the antiwonk. He was the counterexpert. His was the gut call. He was the everyman. He was jazz (some, in the telling, made it rap), everybody else an earnest folk music. In the other reality, in which resided most of his antagonists, his virtues were grievous if not mental and criminal flaws. In this reality lived the media, which, with its conclusion of a misbegotten and bastard presidency, believed it could diminish him and wound him (and wind him up) and rob him of all credibility by relentlessly pointing out how literally wrong he was.
Beyond the leaked revelations, exquisite writing and sharp analysis make FIRE AND FURY a must.
It’s not just another guilty pleasure.
I hope you’ll forgive a bit of self-promotion here, as this has been a long time coming.
I’ve been on the missing persons list for a few months, putting the finishing touches on my book MISSING MYSTERIES: A PICTORIAL HISTORY OF NONEXISTENT MYSTERIES. I began this massive satirical reference back in 2011 and it has finally launched—in a shiny, full-color, large format paperback edition from Black Scat Books.
I might as well let the blurbs speak for themselves because—frankly—I’m pooped.
“Derek Pell is quite mad, in rather a brilliant way.” —Lawrence Block
“Pell’s satire doesn’t lack for sharp edges. His twisted humor is sure to appeal to crime-fiction lovers.” —J. Kingston Pierce, THE RAP SHEET
“This book is a lot of fun!” —Steven Heller
Copies are now available worldwide on Amazon. CLICK HERE TO ORDER
What would summer be without a good crime novel, noir, or whodunit? An empty hammock, as far as we’re concerned. So here’s a round-up of titles that’ll keep you awake nights this summer.
The Spike Sanguinetti series by Thomas Mogford is new to me, and I didn’t know what to expect when I started reading SLEEPING DOGS, just released by Bloomsbury. The opening is so good I dare anyone to put the book aside once they’ve opened it. Murder on Corfu, perfect.
Hot off the press comes the thriller SIGNWAVE by Andrew Vachss (Pantheon Books), part of the popular “Aftershock” series. Vachss has made quite a name for himself (even if it looks like a typo) and for good reason. He knows how to make the reader jump. Assassins and murder abound in SIGNWAVE.
If you’re in the mood for short stories packed with puzzling scenarios, I again recommend THE BLACK LIZARD BIG BOOK OF LOCKED-ROOM MYSTERIES edited by Otto Penzler (Vintage Crime/Black Lizard). It’s loaded with genre luminaries: Dashiell Hammett, Agatha Christie, Stephen King, Lawrence Block, Erle Stanley Gardner, Dorothy L. Sayers, Georges Simenon, and many others. There’s even a locked-room tale by P.G. Wodehouse — “Death at the Excelsior”— holy Jeeves! Bet you didn’t know the esteemed humorist began his career writing detective stories. I didn’t. Since this book is 900+ pages, you probably won’t be lugging it to the beach. Instead, keep it on your bedside table.
If the ‘spirit of place’ is your thing, grab one of the anthologies in the Akashic Noir Series. My favorite is SAN DIEGO NOIR edited by Maryelizabeth Hart – 15 stories and not a lemon in the bunch. If you don’t know what city to choose, try their USA NOIR — a selection of the best American noir. Cape Cod? Yes, and also Richmond, VA and other places you might not associate with the genre. In fact, the only location that seems to be missing is Disneyland Noir, but that’s probably in the works.
The one city that screams noir and mystery is, of course, San Francisco. Regular readers of this blog know my favorite series set there is Kelli Stanley’s Miranda Corbie mysteries. To date, there are three, the most recent being CITY OF GHOSTS. Not only does Stanley bring SF in the 40’s to life, her female PI is an unforgettable character — you’ll fall in love with Miranda. So here’s the deal: buy all three and start with CITY OF DRAGONS. You’ll thank me.
And while I’m on the subject of San Francisco, I have to mention Jim Nisbet — a writer of hard-bitten noir novels that go where few writers dare travel. I recently got around to reading OLD AND COLD (Overlook Press) and let me put it this way: only Nisbet could get away with two nonstop interior monologues in the head of a homeless, schizophrenic hitman addicted to martinis. Yes, this book’s beyond “offbeat.” It has strains of black humor and enough suspense to keep you flipping through its 160 pages in a single sitting. Thumbs up to Overlook for keeping Nisbet’s seedy San Francisco within reach.
If you want a fab overview of American crime fiction, there’s Lawrence Block’s THE CRIME OF OUR LIVES which covers the best & the brightest Chandler, Hammett, Queen, MacDonald, Marlowe, Westlake, and many more. Makes for a bracing chaser when you’re between novels.
Millions of mystery lovers know the best way to beat the heat is with a Swedish crime novel—preferably a series like the Martin Beck books by Maj Sjöwall and Per Wahlöö (available from Vintage Crime/Black Lizard). If you’re one of the few people on earth who haven’t discovered this quintessential Swedish series, you’re in for a thrill – ten books! While I’m thinking of it, let me add a word of caution. When you get to #6, MURDER AT THE SAVOY, DO NOT READ THE INTRODUCTION. It’s a perfectly fine introduction, but it reveals the ending of the final book in the series THE TERRORISTS (#10). May I suggest to the publisher this simple remedy: in the next printing add the words “Spoiler Alert. Readers can then go back and read the intro once they’ve finished the series.
But what does one do when – like me – you’ve read all the Martin Beck books twice?
The answer: lose yourself in the 13 Kurt Wallander novels by Henning Mankell. All are available in paperback from (you guessed it) Vintage Crime / Black Lizard. Don’t think because you watch the popular BBC series based on the books that you don’t have to read them. Good as the TV productions are, they only scratch the surface tension. If you want the real deal, you’ve got to eyeball the words.
I’m spending my summer vacation with Wallander and I invite you to join me with the first in the series, THE PYRAMID. (Watch this page for a future review.)
Another sure thing for summer is Peter Lovesey’s DOWN AMONG THE DEAD MEN (Soho Crime), part of his Peter Diamond Investigations. I’ve read them all except for UPON A DARK NIGHT but I’ll fix that soon enough. See my previous post for more on Lovesey.
Looking ahead to the dog days of August, don’t miss TO THE TOP OF THE MOUNTAIN by Arne Dahl from Vintage Crime / Black Lizard. This novel is part of the Stockholm Intercrime series. I received an advance “uncorrected proof,” so I’m not at liberty to quote from it. But I love the first sentence and since it doesn’t have a typo and gives nothing away, I’ll reveal it here:
‘I didn’t see anything.’
That’s what I call a hook. Now you can look forward to August.
As you can see from this selection, exotic, atmospheric locations are what readers crave. Crafty escapism… a mystery that takes us away from the familiar. Two series titles that will help you “get away from it all” (except from crime, of course) are Ann Cleeve’s DEAD WATER (Minotaur Books), part of her popular Shetland Island series, and William L. Gibson’s new Detective Hawksworth novel, SINGAPORE YELLOW (Monsoon Books). The former has plenty of island atmospherics going for it, while the latter takes us back in time to Singapore and Malaya in 1892.
Finally, let me recommend a book published under an imprint of my own small press: ANGEL OF EVERYTHING by Catherine D’Avis (New Urge Editions). It’s not a mystery, per se, but erotic suspense. If that’s your cup of tea, drink up.
Alphonse Allais (1854-1905) was France’s greatest humorist. His elegance, scientific curiosity, preoccupation with language and logic, wordplay and flashes of cruelty inspired Alfred Jarry, as well as succeeding generations of Surrealists, Pataphysicians, and Oulipians. THE SQUADRON’S UMBRELLA collects 39 of Allais’s funniest stories — many originally published in the legendary paper LE CHAT NOIR, written for the Bohemians of Montmartre. Included are such classic pranks on the reader as “The Templars” (in which the plot becomes secondary to remembering the hero’s name) and “Like the Others” (in which a lover’s attempts to emulate his rivals lead to fatal but inevitable results.) These tales have amused and inspired generations, and now English readers can enjoy the master absurdist at his best. As the author promises, this book contains no umbrella and the subject of squadrons is “not even broached.”